The Russian position on the return of the \"Troy gold\" is not just a legal dispute, but a carefully thought-out state strategy, supported by historical, legal, and political arguments. This case has become not only a museum issue, but also a symbol of Russia's broader approach to the question of cultural artifacts moved during the war. Let's consider the main reasons why Russia does not return the treasures of Troy.
The key position of Russia is that the treasures of Troy are a legitimate military trophy. They were taken by Soviet troops from Germany in 1945 as compensation for the colossal damage inflicted by the Nazis on the cultural heritage of the USSR. According to this logic, the return of the artifacts would only be possible in the case of comprehensive settlement of all claims and the provision of compensation by Germany for the lost Russian cultural heritage.
This argument is the main one in the dialogue with Germany. Russian officials have repeatedly stated that \"there can be no talk\" of return until the issue of cultural artifacts moved by the Nazis during the war is resolved.
In 1998, the law \"On Cultural Values Moved to the USSR as a Result of World War II and Located on the Territory of the Russian Federation\" was adopted in Russia. This law established the status of cultural heritage of the Russian Federation for the majority of moved art objects, which cannot be transferred to other countries. Thus, the legal basis securely protects the \"Troy gold\" from any attempts of restitution.
The return of the \"Troy gold\" would set a precedent that could open a \"Pandora's box\". Immediately after that, Germany and other countries could demand the return of tens of thousands of other trophy exhibits. Therefore, Russia views this issue as fundamental: to yield means to put the entire system of protecting trophy heritage at risk.
The question of ownership of the treasures of Troy is one of the most complicated. Three countries claim it:
Transferring the artifacts to one of these countries would automatically damage relations with the other two. This makes the decision extremely disadvantageous from a diplomatic standpoint.
The \"Troy gold\" has become not just a museum exhibit, but a symbol. The 1996 exhibition at the Pushkin State Museum of Fine Arts was not just a cultural event, but a demonstration that Russia considers itself the legitimate guardian of this heritage. Refusing to return the artifacts is an act of asserting sovereignty and historical justice as understood in Moscow.
Thus, the \"Troy gold\" will remain in Russia as long as the current political and legal field persists. The return of artifacts is possible only within the framework of a fundamental revision of the outcome of World War II, which seems unlikely in the foreseeable future.
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