Unconventional Christmas Tree Decorations: From Artifacts to Art Objects
Introduction: The Christmas Tree Toy as a Sociocultural Marker
Christmas tree decorations that go beyond the standard balls, garlands, and pinecones represent a unique material for research in material culture, design history, and social anthropology. Their "unconventionality" can be determined by the material, technology, ideological content, authorship, or function. Studying such artifacts allows for the reconstruction of the history of everyday life, crisis periods, technological breakthroughs, and changes in aesthetic paradigms.
Historical-Anthropological Context: Decorations as a Reflection of the Era
The tradition of decorating a evergreen tree has pagan roots, but its familiar form emerged in 19th-century Germany. Already then, alongside apples and nuts on the branches, there appeared homemade figures made of paper, cotton wool, straw, and eggshells. However, the real explosion of "unconventionality" occurred during periods of social upheaval and scarcity, when makeshift materials were used.
Classification of Unconventional Decorations
1. Resource Decorations: Creativity in Times of Scarcity.The material becomes what is available in abundance or what lacks festive value in the usual sense.
War and Post-War Periods: During World War I and II in Europe and the USSR, trees were decorated with shell casings, bits of barbed wire, parachute silk, medical gauze, and silver-painted noodles. In Leningrad under siege, toys were made from pieces of black bread soaked in salt for strength.
The Era of Scarcity in the USSR (1970-80s): Toys made from available materials became widespread: figures made of burned-out light bulbs, painted and covered with beads; balls made of threads soaked in glue; chains made of paper clips or colored foil from cigarette packs; figures made of shells brought back from resorts.
Scientific Trees: Among scientists and students, decorations made of beakers, test tubes ...
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